Critical Role and The Legend of Vox Machina, Dungeons & Dragons, Magic: The Gathering, The Lord of the Rings and the Wizarding World. A smaller shelf than the comic licences, and one where editions are often tied to a campaign or a set rather than a film release.
A film statue is announced against a marketing calendar that everybody can see months ahead. The licences on this page — Critical Role, The Legend of Vox Machina, Dungeons & Dragons, Magic: The Gathering — work to a different clock. The anchor is a broadcast arc reaching its end, a card set arriving, or a book landing, and the announcement tends to come while a community is still in the middle of talking about it.
The practical effect is that reservation windows here open and close faster than elsewhere on the site. Demand is concentrated into the weeks after the thing happened rather than spread across a two-year run-up, and once an edition is sealed it does not come back. If you already know which character you want, the useful move is to be on the Register before the announcement rather than deciding after it, because the deciding time you get on this shelf is measured in days rather than months.
Two of the licences here behave differently, and it is worth saying so. Lord of the Rings and the Wizarding World run on ordinary film-licence timescales: long lead times, dates that drift, plenty of warning. If you came to this page for those specifically, the pace you should expect is the one on film and television, not the one described above.
Everywhere else on this site the figure on the plinth started as a screen role or a comics design. Here a good number of them started at a table. A Critical Role piece is a player character that a group invented, played for hundreds of hours in public, and only later saw animated. Dungeons & Dragons sculpts frequently depict a class, an archetype or a monster from a rulebook rather than a named performance at all.
That changes what accuracy means. There is no screen-used costume to compare against, so the reference is animation design work or commissioned illustration, and the sculptor is interpreting a drawing rather than reproducing a garment. It also changes who is buying. A statue of a character somebody has personally played for years carries a different weight than a statue of a character they watched, which is the honest reason these editions move quickly and rarely surface again afterwards.
A deposit reserves the edition; the balance is requested when the piece is with us and has passed inspection, not on a date guessed at months earlier. That matters here because a short window pushes people into a fast decision, and the deposit is what a fast decision costs: If you cancel before dispatch we retain 10% of the price — for a deposit reservation, that is the deposit. Where a statutory right to cancel applies it is unaffected. Decide inside the window, but decide. The full mechanics are in how reservations work.
We import through official distribution with VAT and duty included, so nothing arrives with a customs bill; ordering direct from overseas typically adds around 26% plus a handling fee, charged after delivery. Estimates move, and ours are on the release tracker with the date each was last checked.
Assume not. A run tied to a set or a broadcast is generally made once. If it has closed, the Archive is where it goes, and we will tell you plainly if there is nothing we can do.
The animated series pieces sit comfortably beside animation and family, and if the draw is a fantasy world rather than a specific table, video games covers much of the same ground at similar scales.
