Disney and Pixar, all of it Iron Studios — Snow White, Fantasia, Lilo & Stitch, The Incredibles, Toy Story and the Disney Villains lines, largely at 1/10. The smallest and most affordable end of the catalogue, and the shelf most people start on.
Largely Disney and Pixar, and the shelf people most often start on. There are practical reasons for that. The pieces are smaller, so they sit in a living room rather than requiring a room of their own. The deposits are lower, which makes a first commitment over a long lead time feel like a decision rather than a leap. And these are the characters people buy for someone else, which no other shelf here can honestly claim.
Now the unflattering part, because you will find it out eventually anyway. A Disney piece will not impress a serious collector the way a quarter-scale will. It is smaller, lighter, less technically demanding, and it will not draw the reaction that a metre of Prime 1 draws when someone walks into the room. If what you want is the piece that dominates a space, this is the wrong page and we would rather say so than sell you something that disappoints you in six months.
But dominating a space is not what these are for, and treating that as a shortcoming misreads them. Animation sculpts have a harder brief than realism does: a stylised character has no photograph to copy, so the sculptor is translating a drawing into three dimensions and every proportion is a judgement. The good ones are quietly very hard to make. They are also the only statues on this site that most households will accept in a shared room, which is worth more than it sounds if your alternative is negotiating for the lounge.
Read this before you reserve. Everything here is reserved months ahead — commonly twelve to twenty-four from announcement — so a reservation placed today is not a present for a birthday next month. It is a present that arrives when it arrives, and the date can move.
That makes it a poor surprise and a good agreed gift. Two ways it works well: tell the recipient, let them choose the edition, and accept that the fun starts now and the parcel comes later; or reserve it for yourself and give it when it lands. What does not work is quietly reserving something for a fixed date and hoping. We would rather lose the order than have you find that out in December.
A deposit reserves the edition. The balance is requested when the piece is with us and has passed inspection, not on a date guessed at months earlier. The deposit is non-refundable: If you cancel before dispatch we retain 10% of the price — for a deposit reservation, that is the deposit. Where a statutory right to cancel applies it is unaffected. Everything is imported by us through official distribution with VAT and duty included, so nothing arrives with a customs bill, which is worth knowing if you have previously bought direct from overseas and been surprised by roughly 26% plus a courier handling fee after delivery. The whole process is set out on how reservations work.
Yes, and deliberately so. Lower deposit, smaller piece, same protections. If you decide premium statues are not for you, you have lost nothing.
Sometimes. Stylised animation sits oddly beside realistic film sculpts on the same shelf. Give it its own shelf and the problem disappears.
Usually to Iron Studios at the same scale, or across to retro toy lines. The whole catalogue is under editions when you are ready.
