Independent comic and pin-up licences — BRZRKR, Red Sonja, Vampirella, Lady Death and Bettie Page. Print runs here are typically short and rarely repeated, so an edition that seals is generally gone. The smallest theme we hold, and the one that moves fastest.
Everything on this page comes from a creator-owned or independent title rather than one of the two big publishers: BRZRKR, Red Sonja, Vampirella, Lady Death, Bettie Page. It is the smallest shelf on the site, and the licensing behind it works differently to a Marvel or DC deal.
These properties sit with small rights-holders — Dynamite Entertainment, Coffin Comics, the estates and the creators themselves — who grant tightly scoped, time-limited licences rather than the rolling multi-year arrangements the large publishers issue. A studio gets a defined window to produce a defined piece. The consequence for you is that production runs here are short by the standards of everything else we sell, and reissues are uncommon: when the licence lapses, the tooling does not simply come back out for a second wave. An edition that seals in this category rarely returns.
The other thing you notice is whose name is on the box. These pieces are commonly built to a specific illustration by a specific artist, and the credit is carried as part of the product rather than buried in the description — you are reserving one artist's interpretation of the character, not a generic version of her. If you know whose Sonja or whose Vampirella you want, that credit is the thing to read before the scale.
Worth saying plainly, because the count is misleading. This is a short page carrying some of the largest editions on the site. The Vampirella here is a 1/3 at roughly a metre tall; Red Sonja is 1/3 on a throne base; BRZRKR is 1/4 and substantial with it. Only the prints and the designer statues are shelf-scale.
Prime 1's Real Elite Masterline and Throne Legacy tiers dominate the statue side, which means the housing conversation is the same one you would have about a Museum Masterline piece: floor-standing or purpose-built display, not a glass cabinet, and delivery in more than one box. Read the listed dimensions and weight before the character sells you on it — the reservations page covers what happens between deposit and delivery.
A deposit reserves the edition. The balance is requested when the piece is with us and has passed inspection, not on a date guessed at a year earlier. The deposit is non-refundable: If you cancel before dispatch we retain 10% of the price — for a deposit reservation, that is the deposit. Where a statutory right to cancel applies it is unaffected. That matters more here than elsewhere, because these are short-window editions: reserve while it is open if you want it, since waiting to be certain often means the decision is made for you.
Everything is imported by us through official distribution with VAT and duty included, so nothing arrives with a customs bill. The same edition ordered direct from overseas typically adds around 26% plus a courier handling fee, charged after it lands. Closed editions move to the Archive, and the Register is where we announce new licences in this category — they arrive with less warning than the big-publisher waves do.
Assume not. Large-publisher lines get second runs and anniversary reissues because the licence stays in place for years. These do not, and we would rather you knew that before you decided to think about it for a fortnight.
Treat the product page as the authority — we list exactly what is included, unframed dimensions and all, and we do not describe a print as anything it is not.
Tonally, horror and monsters. By studio and tier, most of the statue side here belongs to Prime 1, with the prints and designer pieces from Sideshow.
